Summary: Decorated with lion on neck, inscriptions, and sphinx in medallion, the Ghaznavid bronze ewer is believed to have origins in Sasanian prototypes. The incised design of a sphinx in floral motifs reflects its creation in eastern Iran during the twelfth century. Alongside, wooden grave effigies from Nuristan and ivory carvings from Begram exhibit intricate artistry, with river goddesses and mythical creatures depicted in high relief. The Sri Lankan ivory river goddesses relate to the Kushan sculptures in Mathura, showcasing a blend of Greek and Indian influences. The collection also includes glass goblets with hunting scenes, painted glass genre scenes, and dolphin-shaped perfume containers, suggesting a Greco-Roman influence in early Afghani artistry. The unique tetradrachm of Hermaeus, along with the bronze stirrups and ewers, exemplifies the diverse influences and sophisticated craftsmanship present in Afghan art from various historical periods, showcasing a rich cultural heritage influenced by Greek, Roman, Indian, and Persian traditions.