Summary: The treatment of figures and landscape in the miniature painting in the picture is commendable for its spacious composition and detailed expression despite its small size. The depiction of the saint's face and the leopard exhibit skillful shading and handling of outlines, conveying softness and texture effectively. The delicate and varied coloring of the landscape adds depth and richness to the scene. The painting challenges the notion that scenery was merely a background for human figures, as it stands out in its own right. Another painting of Mogul princesses in moonlight showcases the delicacy and detail typical of Jahangir's famous artist, Manohar. The detailed description of Jahangir at Ajmer provides insight into the intricate composition and portrayal of courtiers and devotees. The essay delves into the controversy surrounding Indian art criticism and the need for a more balanced and practical approach, emphasizing that Mogul art is a rich facet of India's artistic heritage that offers valuable lessons for contemporary artists and enthusiasts alike.