Summary: The article discusses late works by Miskin contemporary to the Akbar-nama pages, including an execution by an elephant from a Circa 1604 Akbar-nama manuscript. The focus is on the albums of Jahangir, examining how he commissioned independent pictures reflecting his artistic interests. The discussion also touches on influences from European prints and paintings, as well as the absence of Rajput and other Hindu works in Jahangir's albums. The exhibition at the Angeles County Museum of Art Bulletin showcases the extensive scope of Jahangir's imagination, artistic interests, and cultural exchanges during his reign. The significance of the illustrated manuscripts and the artistic styles of various painters such as Govardhan, Anant, Payag, and others are highlighted, providing insights into the eclectic and diverse art production during the Mughal era.