Summary: 
Indian sculpture pieces highlighted in the text, such as the Buddhist sculpture of Queen Maya and Prince Siddhartha sleeping, the head of a Bodhisattva from Java, and the Linga shrine of the great temple of Elephanta in Bombay. The text emphasizes the artistic techniques used in these sculptures, like the bold chiaroscuro effects, simplicity of forms, and dramatic treatment of subjects. It discusses the historical background and cultural influences on Indian art, pointing out the harmonious blend of Indian and Western artistic elements in the Mogul period. The text also touches upon the symbolic meanings and philosophical underpinnings of Indian art, highlighting the unity of human and divine aspects, the universality of aesthetic principles, and the spiritual quest for enlightenment. Additionally, it reflects on the assimilation of Islamic influences and the enduring legacy of Indian art in various regions like China, Japan, and Java, showcasing the beauty, spirituality, and technical excellence of Indian artistic traditions.