Summary: The text delves into the art and manuscripts of the medieval era, particularly focusing on the Baghdad style around 1370-1380. The study demonstrates the integration of various cultural styles and influences, showcasing the evolution of Arab painting and iconography. Detailed analyses of specific miniatures and illustrations reveal the intricate details and stylistic changes in the artworks. Symbolism and historical significance play a crucial role in interpreting the artworks, demonstrating a blend of classical and Islamic elements. The manuscript studies shed light on the transformation and adaptation of classical themes into Muslim artistry, blending scientific accuracy with artistic expression. The artworks reflect a rich cultural tapestry, showcasing the diverse influences and unique characteristics of the Baghdad style, which reached its apex in the second quarter of the 14th century. The combination of classical prototypes and Islamic reinterpretations creates a vivid picture of the artistic development in medieval Baghdad.