Summary: The author expresses gratitude towards various institutions and individuals who assisted in the research project, particularly highlighting the Archaeological Survey of India, Deutsche Forschungsgemeinschaft, and other colleagues who provided photographs for the study. The text delves into the detailed analysis of inscriptions and images found in Deogarh, focusing on the Gunanandin- and Cihna-Groups in relation to Jina images. It discusses the historical and stylistic significance of these artifacts, including the exploration of palaeography and stylistic pairs within the inscriptions. The text also touches upon the classification of images based on the Drum-Style and provides insights into the cultural heritage and intricacies of Jain temple art. Additionally, it refers to the early-medieval styles, historical context, and theoretical discussions regarding the Jina-Images, culminating in a comprehensive understanding of the intricate sculptures and inscriptions found in the region.