Summary: The manuscript contains detailed descriptions and analyses of various art forms, including book-covers, paper illuminations, and cloth paintings from Orissa dating back to the 18th century. The manuscript emphasizes the unique and traditional styles of art found in Orissa, showcasing a blend of Buddhist and Hindu influences. It highlights the significance of archaeological reconnoitring in understanding the evolution of art forms and the stylistic transition from Buddhist to Hindu worship. The text also discusses the role of folk art versus court art in influencing the paintings and sculptures found in the region. Moreover, it sheds light on the architectural heritage of Orissa, particularly focusing on lesser-known structures and temples located inland, unveiling hidden art treasures from the area. The manuscript bridges the knowledge gap by presenting a sequential account of Orissa's art history from pre-Aryan archaic styles to the 14th century, showcasing the baroque and rococo styles seen in temple architecture during that period. It calls for further research and excavation in regions like Mayurbhanj to unravel the unexplored art heritage of Orissa.