Summary: The book "Complete Instructions for making Crayon Portraits on Crayon paper and on Platinum, Silver and Bromide enlargements" by J.A. Baruypt from 1892, now in the possession of Dwarik Chatterji, sheds light on photography techniques and amateur artists. It delves into the use of transparent liquid watercolors and making French crystals. Abanindranath's detailed information about Okakura’s visit and the demonstrations by Japanese painters, along with the interpretations of Japanese art by scholars like O.C. Ganguly and Lawrence Binyon, highlight the influence of Japanese art on Indian artists like Gaganendranath Tagore. The book also mentions Gaganendranath's experimentation with Japanese brush techniques, his incorporation of mystic strains in his paintings, and his adaptations of Cubism, showcasing his innovative approach to art. The blend of influences, techniques, and themes in Gaganendranath Tagore's work, as discussed in various sources, reflects the complex and diverse artistic landscape of that era.