Summary: In the study of art in Ceylon, references from the Mahavamsa provide valuable insights into the building activities of Buddhist kings through the centuries, aiding in the restoration of ancient temples. The ruins of Anuradhapura, with palaces and stupas engulfed in history, have been well-preserved. The architecture in Ceylon showcases unique forms of dagobas classified by shape and architectural elements following strict proportions and rituals. Similarly, in Cambodia, a blend of indigenous and Indian elements is evident in temple structures, with the architectural layout reflecting the need for individual shrines to house deified ancestors. The earliest art and architecture in South-East Asia reveals influences from Indian cultural invasions, while the Gandhara art in North-West India reflects a fusion of Greco-Roman form with Indian iconography, indicating close contact with the Roman world. The artistic styles in these regions, influenced by diverse cultures and religions, highlight the rich heritage and cross-cultural exchanges that have shaped the artistic landscape over centuries.