Summary: the southern school of biographers of the prince presenting a contrasting narrative to Asvaghosha's idealized portrayal, the text delves into the scandal of the Bodhisattva's neglect of studies and indulgence in pleasure, including encounters with amorous escapades and dancing girls. While Asvaghosha emphasizes his growth in perfection, other accounts highlight his immersion in worldly pleasures and familial pressures to marry. The exaggerated accounts, with astronomical figures and mystical significance, reflect an oriental tendency to embellish. The transition from the pursuit of pleasure to renunciation is depicted dramatically, with the Bodhisattva's awakening to the suffering inherent in human life and ultimate renunciation of worldly desires. The symbolic imagery of his inner conflict and enlightenment, akin to Milton's epic style, adds depth to the narrative, culminating in his profound realization and the dawn of enlightenment. Ultimately, the text weaves a vivid portrayal of the prince's journey from worldly indulgence to spiritual awakening and profound wisdom.